![]() ![]() ![]() General Purpose Controller D (Controller 19) Value 126 will fire the previous snapshot in list. General Purpose Controller D (Controller 19) Values 0 to 125 will fire snapshots 384 to 509. The Control By MIDI > MIDI Received Fires Snapshots button allows the Snapshot system to respond by default to the following incoming MIDI messages: General Purpose Controller A (Controller 16) Values 1 to 127 will fire snapshots 1 to 127 General Purpose Controller B (Controller 17) Values 0 to 127 will fire snapshots 128 to 255 General Purpose Controller C (Controller 18) Values 0 to 127 will fire snapshots 256 to 383. 2) The firing of snapshots can be controlled by incoming MIDI messages on channel 16, and can cause these same messages to be output in addition to any MIDI snapshots included in (1) above. The MIDI message must be created in either the Scope>MIDI Program panel or the Scope>MIDI List panel. There are two separate areas of MIDI control: 1) A snapshot can have a MIDI Message attached to it, and will output that MIDI when fired. I have followed these instructions : 3.4.16 Snapshots and MIDI. I can see the signal pass thru and the console showed me that receive the signal. I’m sure this option would spur a lot more app purchases since a typical theater may have only one or two show designers while using different stage managers and production team members for each show.Thank you Mac, I'm getting the midi out of Qlab with a usb-midi interface made by Roland. It would also be nice if this could be provided at a lower price point than the Show Control and Editing option given the reduced functionality. It would be extremely useful for me to give a stage manager the ability to fire, stop, and restart cues during rehearsals without the risk of someone inadvertently changing the show design. My big wish list item for the iOS app is a separate in-app purchase for an “operator-only” version that can be used to fire cues but not to make edits. The mobile version lets me edit and fire cues while sitting out in the audience area, which is a big benefit to me given that our tech booth is awkwardly positioned outside the sound pattern of the main speakers. As an added bonus, the MIDI and network cues allow us to control all of the mics and lighting, precisely synchronized with the music. QLab provides so much flexibility with its cues that I am able to fit the music to the performers rather than the other way around. Due to space limitations, for most performances our theater uses pre-recorded tracks rather than live musicians. In a world of increasingly buggy and poorly designed software, the QLab developers continue to succeed in delivering a quality product that is truly useful and versatile. Change display geometry for video, text, and camera cues. Adjust audio levels and patches for audio, mic, and video cues. Edit basic properties for all cues, such as name, number, notes, color, armed, flagged, etc. Enable "Read-Only Mode" to follow along without worrying you'll accidentally trigger a cue. Open multiple windows on iPad to view workspaces side-by-side on one screen. Updates in QLab are instantly reflected in QLab Remote and vice versa. Automatically finds any QLab workspace on the network. Optional In-App Purchases are available to unlock show control, editing, and light tools features. QLab Remote is free to use in "Read-Only Mode", which allows you to view a workspace & follow along worry-free and also includes the unlimited ability to flag cues & edit cue notes. Change the geometry of a video cue from the stage. Get out of the booth and edit your QLab workspace from wherever you are. Some features require a specific minimum version of QLab 4 or 5. QLab Remote requires a connection to QLab 3.0 or later. QLab Remote is the official iOS companion app for remote control of QLab, the award-winning live show control software for macOS. ![]()
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